CIRCUS LONELINESS is a performative installation that takes loneliness seriously and reflects on it as it is – a condition that does not require quick solutions, but empathetic attention.

An intimate, multisensory performance for 3 audience. A blindfold, headphones and warm hands. Inspired by the mother figures from Kytice by K. J. Erben, we explore the idea of tenderness and care, perception of the known and unknown tickling the mind, and stories of the earth: simple and plain. This is a sensory adventure to interesting places and inner discoveries through tactile touches, smells, stories and above all, imagination.

An intimate, multisensory performance for 3 audience. A blindfold, headphones and warm hands. Inspired by the mother figures from Kytice by K. J. Erben, we explore the idea of tenderness and care, perception of the known and unknown tickling the mind, and stories of the earth: simple and plain. This is a sensory adventure to interesting places and inner discoveries through tactile touches, smells, stories and above all, imagination.

An intimate, multisensory performance for 3 audience. A blindfold, headphones and warm hands. Inspired by the mother figures from Kytice by K. J. Erben, we explore the idea of tenderness and care, perception of the known and unknown tickling the mind, and stories of the earth: simple and plain. This is a sensory adventure to interesting places and inner discoveries through tactile touches, smells, stories and above all, imagination.

CIRCUS LONELINESS is a performative installation that takes loneliness seriously and reflects on it as it is – a condition that does not require quick solutions, but empathetic attention.

Y Events are setting back into physical space with the event co-curated with Berlin based Montag Modus interdisciplinary series.

The exhibition will run until July 25, 2021. / "There are birds in the aquarium" is an exhibition with ten mechanized sculptures of French artist Magali Rousseau.

CAPACITY LIMITED / EXPLOSION addresses the contemporary phenomenon of living in an "angry society." Due to the constant stimulation from the environment, inner and outer tensions accumulate, so that the explosion seems to be the only way out.

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.  

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.  

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.  

Grieving for Post-Pandemic Future(s) is a performance-collective meditation situation. Commissioned by the Zero Point Festival, it was conceived as a compassionate artistic response of a Berlin-based performer and choreographer Pauline Payen to Petr Dlouhý's curatorial provocation: how to make grieving practices a tool for embodying a shared imagination of the future?

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.  

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.  

This project looks at the lives of young anti- fascist Portuguese and also people from Angola, Mozambique, Guinea-Bissau, Cape-Vert and São Tomé and Principe that fought for the independencies of their countries and that benefited from eastern bloc countries' scholarships. Until 1989, these scholarships were provided as a support for the struggle against Portuguese fascism and colonialism and, after 1974, as part of the effort to help building the new free and independent republics.  

The last night of Zero Point Festival will present a production platform and mikrolabel Antimother and its OC/DC Cabret, which is a showcase of allied projects and producers and at the same time it is the launch of two new cassettes. The first release of Kinokoragú will be introduced by a two member impro-boyband BOYSE, cybernoir ambient, based on trumpet and modular synthesis. The second one will be a hyperpop treasure tape by the queen of Czech drag scene, Miss Petty. 

Magali Rousseau presents poetic mechanisms in the performance 'Swirling The Air' - all of the objects that she has created in the last ten years. The steel creatures are part of one story, her own story, which she wants to introduce to the audience.